Use of the Female Gothic in Beloved Essay -- Toni Morrison Beloved Ess

Use of the Female Gothic in Beloved Toni Morrisons novel Beloved is a slave narrative, but it encompasses much more than slavery. Unlike many slave narratives that focus on the male perception of slavery, Morrisons novel portrays slavery from a feminine point of view. The main characters are Sethe, her daughter, Denver, and the shadowy Beloved. In the beginning of the novel, Sethe and her daughter live alone in 124, a house that is haunted by the ghost of Sethes first daughter. Sethes two older boys, Howard and Buglar, had rivulet away by the time they were thirteen years old. Soon after the sons have fled, Baby Suggs, Denvers grandmother, dies. The novel centers on Sethes past, in particular, the death of her first daughter. This type dominates the book and the action of the novel revolves around this terrible incident. In Beloved, Toni Morrison utilizes characteristics of the female gothic novel such as mothering, living within enclosed spaces, and the two-base hit of chara cters, coupled with dilemmas involving memory and repression, to address the issue of slavery. Beloved illustrates the notion of the gothic mother through the character of Sethe. Her motherly love is turned into a fearful image of mercy, one that many find difficult to understand. At the time, slaves were valued as property. They were bred as if they were horses, with their young snatched away from them, often at birth, and no break of having a family. Many children were permanently separated from any other family members, and did not know if or when they would ever see their mothers again (King 527). Sethe describes her own childhood acquire with the woman she knew as her mother and it is typical of the experi... ...illions of lives and Morrison gives those lives names and faces. The narrative form is an effective tool to bring the reality of slavery and all its misery into perfunctory life. Works Cited Goddu, Teresa A. Gothic America. New York Columbia UP, 1997. King, Wi lma. Within the Professional Household Slave Children in the Antebellum South. The Historian 59.3 (1997) 523-540. Kristeva, Julia. Powers of Horror. New York Columbia UP, 1982. Morrison, Toni. Beloved. New York Penguin Group, 1987. Samuels, Wilfred and Clenora Hudson-Weems. Ed. Toni Morrison. capital of Massachusetts Twayne Publishers, 1990. Sedgwick, Eve Kosofsky. The Coherence of Gothic Conventions. New York Methuen, 1976. Smith, Valerie. Circling the Subject History and Narrative in Beloved. Toni Morrison. Henry Gates, Jr. and K.A. Appiah. Ed. New York Amistad Press, 1993.